Reuters Fires Qana Photographer
for Altering Pictures
Dr. Richard L. Benkin
writes from USA
Reuters has fired Lebanese
photographer Adnan Hajj, whose photographs gave the
world its primary views of an alleged Israeli massacre
in Qana that has since been called into question.
The action was taken against after one of Hajj’s
pictures of an Israeli attack in Lebanon was shown to
have been altered through “the improper use of
photo-editing software,” according to Reuters' head of
public relations Moira Whittle. “This represents a
serious breach of Reuters' standards and we shall not be
accepting or using pictures taken by him,” Whittle said
in a statement issued in London.
The photograph in question
showed two very heavy plumes of black smoke billowing
from buildings in Beirut after an Israeli Air Force
attack on the Lebanese capital. As shown in the
pictures, the damage appeared to be widespread and
indiscriminate. Reuters has now withdrawn the
photograph from its website, admitting publicly that the
image they used was distorted.
“Reuters takes such matters
extremely seriously,” Whittle said. And well it
should. As she noted, it is strictly against
Reuters editorial policy to alter pictures. Yet,
it took a torrent of objections from all over the world
to spur Reuters to action. It is especially
distressing that such an important international source
of news and information chose not to apply normal
editorial standards before showing the altered
photographs.
Almost as soon as the
photograph appeared on the Reuters web site, a number of
bloggers and others began challenging its authenticity
based on even the most elementary analyses of the
picture. Wrote Charles Johnson whose blog,
Little Green
Footballs, has been
particularly active, the “photograph shows blatant
evidence of manipulation. Notice the repeating patterns
in the smoke; this is almost certainly caused by using
the Photoshop ‘clone’ tool to add more smoke to the
image.” A professional photographer added after
examining the photograph, “I'll second the cloned
smoke...but it looks so obvious that I don't know how
the photographer could have gotten away with
it.”
Hajj also contributed
pictures of the recent Qana incident to Reuters and
elsewhere. It has since been established that
photographers worked under Hezbollah supervision and
were limited as to what pictures they could take.
Various analysts have demonstrated that time markings on
the Qana photographs are out of sync with one another,
and that the same “rescue worker” appears at varying
times carrying the same body, purported to be that of a
child killed in the Israeli attack on Qana. But
the pictures of the same worker carrying the same body
were taken at very different times. Moreover, the
worker was dressed in military-style clothing under his
orange rescue jacket. As reported previously in
Weekly Blitz (“How Civilians are Killed by
Hezbollah in Lebanon,” August 1, 2006), there are a
number of questions calling the alleged massacre’s
authenticity into question. They included a
seven-hour gap between the Israeli attack and the first
reports of casualties, apparent rigor mortis in
the victims portrayed in the photographs hours before
rigor could have resulted from any Israeli
attack, the inflated body count given out by Hezbollah
and others, the quickness of staged demonstrations after
the incident complete with professionally produced
posters attacking US Secretary of State Condoleeza Rice,
and other questionable aspects of the
portrayal.
In 2002, during Israel’s
“Operation Defensive Shield,” many in Europe and Asia
quickly took up a Palestinian claim of an Israeli
massacre in Jenin on the West Bank. Subsequent
information revealed that there was no massacre, that
almost as many Israelis died as Arabs, that the
Palestinian staged the removal of bodies (one video shot
unbeknownst to the Palestinians, showed a supposed
corpse falling of a stretcher and getting back on), and
that almost all of the dead Palestinians were
fighters. Photographs, mostly taken close in, of
Jenin purported to show extensive damage from the
battle. Wider views, published in the Chicago
Sun-Times and elsewhere established that the area of
destruction covered only a small portion of the
city.
That is, the real issue is
not Hajj. He is a free-lance photographer who has
been sacked. No news agency can use any pictures
by him without their veracity being called into
question. The damage he can do has been
done. But what of Reuters itself? If the
fraud was apparent to bloggers, why did Reuters allow it
to run uncritically? Pro-Israeli activists
have long accused Reuters of slanting its Middle East
news in an anti-Israeli fashion. With all of its
resources—not to mention the standards of good
journalism it is supposed to follow—the fact that it ran
the picture shows, at best, neglect; at worse, a serious
breach of ethics.
As one blogger wrote before
Reuters acted, “Even I can see the very suspicious
‘clonings’ of picture elements here. And I'm an
idiot.”
While the news agency did
indeed remove the offending photograph from its web site
and fired the fraudulent photographer who submitted it,
there is no indication that it is planning to review its
policies or practice in light of the event. Nor is
there any move underway for Reuters to examine any other
photographs of Hajj’s that they have
used.